As you can see, this month I'm working with an international group of social artists on a project called Fronterizos. We are doing a month long creative  exploration of the concept of BORDERS culminating in the development and tour  of a performance piece. (all this in one month, is it possible? We shall see...)   
Hmmmm what should I tell you about the process? One of our first tasks  was to decide for what audience we want to develop the show. As a start,  we have decided to do our performances in public spaces (plazas,  pedestrian streets, parks, etc.) with the hopes of opening up access to  artistic expression and to truly interact with the context here.  Saturday was our first day of street exploration to get used to how  people react to random folks doin' random things in places they're not  supposed to.  We wanted to experience how to receive the unplanned  stimuli of the streets, like  the random dog that  walks into your scene or the police officer that tells you in the middle  of your performance that you have to leave because you're obstructing  public space. We  went out with the assignment to considerately break the flow of things  and observe which actions create communication and which ones just piss  people off.   
I watched Joaco go onto the patio of a restaurant and stand under a  closed table umbrella completely still for like 5 minutes. About 1 out of 3  people who walked by noticed him and they were so tickled :o)  At one  point in my exploration I walked by a musician who was playing an accordion  in the door of a restaurant and I started dancing to his music. I  danced all across the pedestrian street and lots of people stopped to  watch.  The musician got a huge smile on his face.  When I finished I  looked at the people and smiled and nodded and they smiled back and we  all continued on our way.  It was great!   
Near  the end of our allotted exploration time, I found Daniel, our intensely  dramatic quiet storm, sitting as still as a statue with his limbs  tangled up in a fence around a tree next to a construction site.   The  rest of the group joined me there and we watched for a moment.  Then we  began to cover Daniel in unused slates of concrete from the construction  site until he was boxed in completely.  In stone on the sidewalk in  front of him we spelled out the word HELP.  We watched for another  moment and then Bernardo took a sparkly butterfly clip that I was  wearing in my hair and placed it on top of the stone that balanced on  Daniel's head.   People watched curiously and one guy started taking  pictures.  
Finally Joaco put a  pile of dirt on top of the butterfly and the slab on Daniel's head and  that made the picture taking guy laugh. Then I think he felt bad for  laughing and he ran off and so ended our day of street exploration.  
 
 The experience gave me a new perception of  the possibilities of my participation in public spaces in general. I  feel kind of empowered knowing that by simple  breaks in the flow/norm, I have the option to bring sparks of newness to  my life and the  lives of others.  Sharing moments of random creativity with strangers  was rather inspirational :o)... well okay not always. We definitely had  some not so harmonic moments. At one point we danced out into a  gridlocked trafficky intersection to see if we could break the tension  of honking horns and furled brows but it just made people honk and yell  more 'Frigin hippies get out of the way!' Hehehe. 
Oh yes, and I did say "SEVEN  people from across the world" so next cartoon I will reveal the identity of our surprise guest!! How mysterious... | 
I loved these stories! Public space should be a blank sheet of paper to start writing/drawing/folding stories and it is always a great space to learn from others, but mainly it´s just one of the best ways to share moments with all kinds of human beings...
ReplyDeleteYeeeeessssss! what a life changing discovery no? I had never thought about it that way until this experience. Such possibilities!
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